Tuesday, August 12, 2008

Hardest Part

The Fourth Single from the Group's Multi-platinum No. One Album "x and Y" Includes a Mix of the Title Track by Tom Lord-alge and a Live Version of "How You See the World" Recorded at London's Earl's Court.


Origin:

Merengue originated in the Dominican Republic. It is the national dance of the Dominican. There are a few stories describing how the dance originated. The most common one is that of the slaves who were chained together and had to move by dragging one foot at a time. Merengue as a two beat music and since the footwork is quite similar to walking, it is a very easy dance to learn.

Music:

Merengue is played in 2/4. The double sided drum is played on one side with a stick with a strong syncopation to mark the beats. Saxophones and guitars are also very popular instruments found in the music.

Dance:

Merengue footwork is extremely easy to learn as it's a simple two beat movement ("left, right") with the body weight being moved between the legs. The upper body stays fairly straight while the hips move with the weight change. The Merengue frame is much smaller (closer) in comparison to Salsa. Having said that, Merengue is often led with a single (right) hand on the back. But in open hold, arms are often completely extended out instead of maintaining a closer L-shaped frame.

Latinos NZ Popularity Scale: 8.5/10

Meregue is a very popular Latin American Dance in New Zealand, second only to Salsa. On an average night out in a Latin Club, as many as every second or third song can be Merengue.

Article taken from Latinos.co.nz (http://www.latinos.co.nz)

dance dance music video

The Best of Coldplay for Easy Piano: Updated Edition

Easy piano arrangements of 12 songs from these acclaimed British pop/rockers. Includes the mammoth hits Yellow and Clocks plus: Amsterdam Don't Panic Everything's Not Lost Green Eyes In My Place Rush of Blood (A Rush of Blood to the Head) The Scientist Sparks Trouble A Warning Sign.
Customer Review: Not original arangements or really even close
I'm surprised that none of the other reviews mentioned the fact that these "arrangements" are very different from the originals. The melody (vocals) is in the right-hand treble clef and simple base notes in the left. These are not really the chords that are played by the band, and it is virtually impossible to sing along with what is written, unless you like singing exactly the same thing your right hand is playing. And there's not enough of a chord in the left hand to fill it out if you just drop the right and sing it. I'm fairly disappointed in this. Maybe if all you're looking for is a similar sounding arrangement and don't plan to sing, then this may be the book for you.
Customer Review: As advertised
The music was easy piano by my standards, a quick learn and authentic enough to the true sound of Coldplay as well.




Schools in Limassol
Salsa, Merengue, Bachata, Cumbia , Cuban Cha Cha Cha and Rumba. ... Antonis Antoniou is the owner and founder of one of the first Latin dance schools in Cyprus. ...
http://www.latindance.com.cy/Schools/LimassolSchools/tabid/70/Default.aspx

HispanicTips " " Cumbia : why the world is catching on - The infectious ...
Grupo Fantasma's Latin funk is catchy, and catching on. Lady of Colombia - Tot La ... A Latin Dance Party; A non-stop celebration of salsa, cumbia and more! ...
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Continental Dance Club, Ballroom Dance Lessons and Latin Dance
Welcome to Continental Dance Club, NJ. Your total dancing experience. Our Dance Studio offers Ballroom Dance Lessons NJ and Latin Dance instruction. We specialize...
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Hips On Fire ~ Latino Dance Instruction, Performances & DJ Services
Clave is an African-derived pattern with equivalents in other Afro- Latin musics. ... Cumbia ... Cumbia is not a clave-based rhythm, but as with many rhythms, ...
http://www.hipsonfire.com/HistoryInfo/diccionario.htm

Telemark Records: Casa Musica: That's Latin
TelemarkMusic.biz offers an extensive catalog of Dance music, with ... La Cumbia , S-51. Ready for Takeoff, S-50. On Broadway, C-32. Corazon Fracturada, C-32 ...
http://www.telemarkmusic.biz/catalog/730.html

Music | Stream free mp3's from hot new indie artists.
... Latin , World, Latin /jazz, Ethnic, Afro-Cuban, Bachata, Cumbia , Latin , Merengue, ... Plays: Hip-Hop, Jazz, Latin , Acid Jazz, Brazilian Jazz, Electro-Jazz, Funk, ...
http://www.fuzz.com/music/artists/Latin-jazz

BOSTON SALSA LESSONS - ALL LEVELS - HIPS ON FIRE
... from most of the Latin -American countries, under the direction of Seemore ... to more traditional like: Cumbia , Cha-Cha-Cha, Bolero, Bolero-Son, ... and more ...
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B.A.R.T.S.
Buenos Aires Furnished Apartments including services, Hi Speed Internet and wireless router, daily maid, Information Videos ... Cumbia Villera: ... trend setter in Latin America, and has been ...
http://www.barts.com.ar/barts/music.php

KDVS.org / Freeform Radio / Davis, CA
Independent, freeform radio from Davis, CA. KDVS plays all genres of music and ... LATIN MUSIC ( Cumbia , Salsa, Son, etc.) follows 11am until noon.Mostly new releases. ...
http://www.kdvs.org/shows/past/show_id/336/

To The Disco - Lito Barrientos Y Su Orquesta - Cumbia En Do Menor
Tothedisco.com is a one stop site for eclectic underground DJs including ... it's driving rhythm and funky dark latin horn melody this track was definitely a ...
http://www.tothedisco.com/option,com_myblog/show,CumbiaEnDoMenor.html/Itemid,/

top dance music

Waiting for Tomorrow




Since ancient times women have been viewed, in many cultures, as mens inferiors physically, morally, and intellectually. Today, in western cultures, women enjoy more freedom and equality than ever before in history. Despite the gains made by women in recent years, particularly in the U.S., many women worldwide still find that their access to education, employment, healthcare and political influence are limited because of their gender. These discrepancies continue to exist because many societies still maintain centuries-old social and religious laws, customs, and traditions that have created barriers to education, jobs, and healthcare, as well as deprive women of their political and civil rights.

Sexual Harassment

Sexual harassment is usually defined as a form of discrimination in which sexual advances or requests for sexual favors constitute a condition of a persons employment or advancement in the workplace. It frequently occurs between a male and a female, often instigated by a male manager or other person in power. While many countries are starting to have laws against such discrimination, it is often reported that the laws are not enforced.
Sexual harassment occurs in workplaces worldwide, including the United States. Laws that specifically prohibit sexual harassment have been enacted in Argentina, Australia, Canada, France, Germany, Israel, Mexico, the Netherlands, the United Kingdom and the United States, but many other countries are still in the process of studying the problem. There are two types of sexual harassment defined by U.S. law: quid pro quo and hostile environment. Quid pro quo means that an employee is asked to perform a sexual act in exchange for a job, promotion, or other perk. A hostile environment is described as one which contains situations, acts, or items that can inhibit the productivity of an employee, such as sexually suggestive language, behavior, or pictures.

Some strategies (as discussed in more detail below) for employees who experience sexual harassment include confronting the individual by informing him or her of the intrusive behavior and requesting that he or she stop it, notifying management or, should management be the offender, notifying the personnel department or the Equal Employment Opportunity Commission (EEOC). (In the United States, call toll free 800-669-EEOC or see www.eeoc.gov to find your local office.) The EEOC will be able to provide you with written guidelines for determining what constitutes sexual harassment and how to deal with it.

Sexual Discrimination

The American businesswoman may unwittingly and unavoidably be party to conversations and actions that discriminate against women. For example, in Asian businesses it is natural to ask a female employee to serve tea, and a woman may be subjected to innocent questions about her age, marital status, and whether or not she has children. In Korea and Japan, protocol has men entering rooms and elevators ahead of women. In Europe, office talk tends to be more flirtatious and sexual in nature, sprinkled with many off-color jokes and puns. Derogatory statements about women in Germany are often expressed openly in the office, and reference to a womans physique is not uncommon in Italy and France. Other countries still view a woman who is alone as a prostitute since otherwise her husband, boyfriend or family would accompany her. American women often view excessive flattery by Latin Americans as derogatory because U.S. office policies would not tolerate such comments.

Some women report that suggestive sexual comments are sometimes used (consciously or unconsciously) as negotiating tools in an attempt to throw a woman off her guard. Women must be prepared for this and develop the ability to keep control and not show anger or other emotion. Some tactics women have used successfully to respond to such situations include: giving a polite verbal reprimand to remind your counterparts that you are conducting a business session; suggesting a break while stating the negotiation has obviously gotten off track; or ending the negotiation in its entirety to show absolute intolerance and disapproval.

Gender Issues in Europe

Most women in Europe are still battling the glass ceiling even more than women in the U.S. There are fewer women in upper management and more hierarchical issues with which to grapple. Furthermore, European women are still expected to handle all responsibilities relating to home and family. This interferes with their ability to hold down a job unless they are wealthy enough to have hired help at home. Shopping hours are still not convenient for working women and day care is often not available. Younger women do not have the role models of older women in the business world, so they must often work harder to establish credibility and to break into the upper ranks of business. Derogatory comments about women appear to be more accepted by the public. For example, in England the derogatory terms cow and bird are widely used, even on TV, and in films, to refer to women. In France and Italy it is not unusual for males to touch women inappropriately.

Gender Issues in Asia

Asian culture has traditionally placed more value on male offspring and on the male roles of ruler, protector, cultivator, and breadwinner. The male is out in the world, while the female remains at home to manage the household and raise the children. Asian males have consequently been in a dominant position over Asian women and have largely controlled their means of livelihood.

Centuries ago male philosophers, Chinas elite, developed precepts of behavior -- notably passivity and obedience -- that women were expected, or forced, to follow. Women were subordinated to their fathers, brothers, husbands, and even sons. Historically, marriages in Asia were arranged not for love, but for family connections. The bride usually lived under the domination of the husbands mother and frequently faced competition from secondary wives and concubines. Her husband was allowed to repudiate his wife, especially if she did not produce a male heir. If the husband died, the wife could not easily remarry. She had no economic independence, was frequently illiterate, and had no property rights. Infanticide limited the number of female children.

Today, Asian countries continue to be patriarchal societies with strong traditions. When a woman marries, she generally joins her husbands family, and her ties with her own family weaken. The couple either lives with the husbands family or, as is occurring more frequently, on its own. If there is a divorce, the father often gets custody of the children. Divorce is considered shameful and is rarely discussed. Divorce rates, which used to be very low in East Asia, are growing however, as women become more economically independent.

There is an old Chinese saying: Women are the moon reflecting the sunlight, meaning women reflect the glow of men. Young, educated East Asian women increasingly reject this old saying. They emphasize their individuality, independence, personal responsibility, hard work, and careers, even as they try to maintain their femininity. Yet the few recent studies of Asian women indicate that many still feel inferior to men and worry about managing a career and a family. Job discrimination is still practiced in Asia. Family connections are very important in obtaining desirable jobs. Stereotyping women as the weaker, less capable sex still prevails.

Gender Issues in Latin America

The concept of machismo is important in Mexico and other Latin American countries, although American businesswomen will encounter more macho attitudes in Mexico than in any other a part of Latin America. The word "macho" does not carry a negative connotation in Mexico, as it does in the U.S. For a Mexican, the word "macho" implies strength, valor, self-confidence and masculinity, which are all considered positive qualities. There is also an underlying assumption in the culture that men are supposed to be stronger, braver, wiser and more sexually knowledgeable than women. Displays of machismo include: showing courage in a bullring, risk-taking, taking part in bar room confrontations, and displaying sexual prowess by bragging about sexual conquests or by having a large family. To be macho also requires the repudiation of all characteristics considered feminine, such as unselfishness, kindness, frankness and truthfulness.
The proof of a mans maleness in this culture is his ability to completely dominate his wife and his children and to have sexual relations with any woman he desires. A double moral standard exists between the fidelity expectations placed upon males and females in Mexico and Latin America. A woman's primary obligation is to make a home and procreate; she is dedicated to a life of service and no infidelity on her part is tolerated. However, men who maintain mistresses are within their legal rights as long as they are discreet about their affairs. A man can frequently divorce his wife if she commits adultery, but the wife can only divorce her husband if the act took place in their home.

Macho men will often express an air of superiority when it comes to dealing with American women in business. They may be overly polite and attentive to a woman, but in a patronizing way. Machismo may be expressed in terms of canceled, forgotten, or ignored meetings, and other frustrations and delays. Businesswomen, especially when traveling alone, should expect a high likelihood of unwelcome sexual advances. Examples of this include: overly long eye contact, the pressing of legs under the table, and an overemphasis on how appealing a woman looks. Most businesswomen advise against entertaining a man alone. Instead, they suggest that a group be arranged. They also emphasize that a woman should establish herself as a businesswoman even at her hotel, and dress conservatively in business suits.

Strategies for Coping

It is important for you, your team, and your managers to understand the strategies you should pursue if you find yourself in a compromising situation. Managers should be well-versed on their responsibilities in cases where women have been harassed, and they should understand how to act in accordance with company policy and governing laws. It is important to realize, for example, that an executive team based in the home office in the United States is actually legally responsible for the actions of their employees worldwide, including in subsidiaries in foreign countries.
Working in the international arena can be challenging. Many foreign countries have no laws or regulations concerning sexual harassment, or they are not enforced, and as a result employees in many countries do not understand the American viewpoint. As a result, male managers in the U.S. who are unfamiliar with more traditional societies may avoid sending female staff members to represent their companies to these cultures, fearing that these businesswomen cannot be effective in male-oriented societies. This viewpoint, however, may be keeping these executives from using what is in fact their strongest asset, since womens perceived attributes -- being good listeners, mediators, and consensus builders -- are well-received in international business. Male managers only need to become knowledgeable about the situation in other countries and what their responsibilities are in the event of sexual harassment. They can then send their female staff members with confidence.

U.S. courts (see www.eeoc.gov) offer some legal remedies and suggestions for handling discrimination and harassment situations: The (U.S.) courts have established that corporations that assign a U.S. citizen to a post in a foreign country must treat that employee as if he or she were in the U.S., regardless of local customs and traditions. Recent Supreme Court cases suggest several legal/human resource strategies that can be used to prevent gender discrimination. The first is: to educate and prepare employees sent to work in different countries abroad. Should a dispute arise, arbitration or mediation is preferred over litigation. The best overall strategy is to develop and implement a well-conceived company policy that ensures gender equality (Cava, A. & Mayer, D., 1993).

Management Responsibility

The elimination of sexual harassment starts at home. If your company doesnt have a company policy on discrimination and sexual harassment at home, there will be little to back you up if you find yourself facing such situations in the international environment. Top management must therefore take a proactive role in eradicating it from the workplace. There are many good reasons for doing so. Sexual harassment can reduce employee productivity and morale, and consequently it can have a negative impact on a companys bottom line, as well as cost firms a great deal in lawsuits.
It is the responsibility of the executive staff to eliminate sexual harassment. Top management must instruct its staff that sexual harassment is illegal and will not be tolerated.. Issuing sexual harassment policies, scheduling open discussions, expressing disapproval, creating a path for resolution and complaint, and respecting individual privacy should all be part of the top management plan. A comfortable environment with open, company-wide communication is key to alleviating any inhibitions employees may have about discussing their experiences.

As a first step, a company needs a visible, comprehensive policy emphasizing the importance of appropriate behavior: harassment and social misconduct toward its employees will not be tolerated. This policy should also state the ramifications of any violations. Hard copies of the company policy should be distributed not only internally but also to customers and suppliers. A copy of the policy should be available to all employees and visibly posted in work and rest areas. The company should have training programs for its management staff and its employees on a regular basis.
If you are in management, you can play a key role. Do not overlook or refuse to acknowledge that problems can occur in other countries, because this will only help reinforce their acceptance. If one of your traveling staff is harassed, it will interfere with the productivity of your business dealings. Harassment also violates U.S. law. It is frustrating for an individual who has faced sexual harassment to work with or for staff who do not understand the seriousness of the offense, or travel with a manager who does not speak or act on behalf of employees.

Individual Responsibility

Prepare yourself for the possibility of encountering sexual harassment when you travel abroad. When you are visiting countries that are male-dominated and still have little awareness of womens rights, your actions may actually have a greater impact on foreign men than written policies. In these situations, men wont expect women to assert themselves, and if you strongly voice your disapproval of inappropriate behavior, these men will often back down. Also, most businessmen would not want to lose a business deal by offending someone.

Most women report that while their business days go smoothly, the after-hours socializing that occurs in some countries can become a challenge. It is still common, for example, for Asian men to go out drinking after work. While drinking, they feel more comfortable about voicing their inner feelings. If you are the lone woman in your group, you may become the target for questions that would not be asked during working hours. In Asia, drinking excuses what Americans may consider appallingly inappropriate behavior. While the American may remain upset if he or she feels anything untoward has occurred during an evening, the incident is generally ignored by the Asian participants the next day as they carry on with business as usual. In Latin America, women are often the targets of flattering comments about their appearance by Latin American men, sometimes to the point that it feels intrusive to the women.

Should you be subjected to what you feel is sexual harassment, remain calm and professional. This attitude will have much more impact than if you become upset or angry. In many cases men may have been trying to incite you or test your resilience. In most cases you can either respond with a calm statement of disapproval, or you can show your disapproval by remaining silent. If you are in a situation that has become particularly unpleasant, you can always leave.

If you are traveling overseas on business and have been accosted, you are still protected as an employee of an U.S. firm, and should take action in accordance with your firms sexual harassment policy. It is always best to report the incident rather than being passive and keeping it to yourself. This way, if the perpetrator is an employee of your firm, he can be corrected or reprimanded, and if he is employed by another firm, at least your executives will be aware of the issue when deciding whether to enter further business dealings with that company.

Be Prepared

If you are single, avoid talking about your personal lifestyle or dating, as these subjects can lead to uncomfortable conversations. In particular, do not discuss your marital situation if you are divorced or living with someone.

If you feel that a conversation is inappropriate, dont respond. Just change the subject.

Avoid situations where any unwanted intimacy may be initiated, such as dinners for two.

Be careful that your actions cannot be interpreted as being either aggressive or flirtatious.

If your international hosts insist on opening doors for you or holding your chair at the dining table, graciously allow them do so. Remember they are trying to respond appropriately when working with women.

Avoid eating or drinking alone in strange restaurants, since you may be viewed as a pick-up target. Ask your hotel concierge for restaurant recommendations.

Responding to Uncomfortable Questions

When you are asked a question you consider uncomfortable or inappropriate, use short, standard answers to discourage further questioning. For example, many women are asked their marital status, their age, and, if married, about dual careers. While these questions may be unusual, they are often more commonly asked in foreign countries as a form of interest about you, a woman who may be very different than women in their own country. You can answer these in a polite manner while suggesting that the questions are not appropriate by giving answers such as My career keeps me very busy, or I am younger than I look. Ignoring the question and changing the subject is a simple way of redirecting the conversation. If the questions are more direct and aggressive and sexual in nature, be assertive and answer, This is not an appropriate question to ask, or, if the questioner continues to be uncooperative, try to embarrass him by telling another group member about your discomfort. Silence can also be very effective.

Strategies for responding to uncomfortable questions also include:

You may be asked seemingly intrusive questions about your marital status and whether or not you have children. Prepare some stock answers or change the topic of conversation to one that is more comfortable for you.

You might be invited to a bar after dinner. Whether or not you want to attend is your choice. Its not impolite to say no, giving jet lag or business commitments such as faxes, e-mails, or phone calls as an excuse.

If your host exhibits inappropriate behavior, inform him that you are uncomfortable and that you want him to stop.

f you are traveling with a team, have other team members join you in expressing dissatisfaction with the situation. This will usually end the unwanted behavior, since to continue it will cause bad feelings.

If you are in a social setting that is becoming uncomfortable, inform your host that you are uncomfortable and would like to leave. Politely request that he call you a taxi. If he does not cooperate, ask the establishments staff to call one for you.

If no action is taken, get ready to leave and state the reasons you are leaving. There is no reason to stay in a situation that is uncomfortable for you.

An employee who desires to leave while his or her colleagues desire to stay should do so and not feel badly about breaking up the fun.

Tracey Wilen is Author at http://www.globalwomen.biz/

latin music downloads

Encanto

Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world
Customer Review: a review for Brasil '66 fans
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks. Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo. The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs. If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
Customer Review: Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson. For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over. Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti. This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall. Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all... This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B. The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific. Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto". This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie. Then it goes all smooth jazz on you. Not bad, though. Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone. I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me. The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to. This album is a grower. The more I listen to it, the better it gets. You will like it. Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)". Equinox Sergio Mendes & Brasil '66 - Greatest Hits The Very Best of Sergio Mendes & Brazil 66


“That’s a fine lookin’ fiddle ya got there, kid.”

I gritted my teeth into a forced smile and quietly thanked the old man at the bus stop. “Fiddle!?” I thought, gritting my teeth into a polite smile. “It’s a V-I-O-L-I-N, you old goat!”

Teenagers are sensitive and easily embarrassed, but this chickie had a bit too much pride in self-labeled “superiority as a classical musician,” which meant I was annoyingly arrogant and a general pain in the butt.

Humbled by merciless teasing in jazz college opened my eyes to the music outside my sanctioned little bubble.

I learned to fiddle.

For the most part “fiddle” is a style of music, such as Celtic, Bluegrass or Old Time. Nevertheless, there are a few differences and stereotypes between fiddle and violin.

We’ve all threatened Fluffy that she’ll be taking a trip to the string factory if she doesn’t stop scratching the couch. There’s the violin’s dark secret of winding silver around a stretched piece of animal tissue (run Fluffy, run!). This used to be the principal method of making violin strings.

Gut strings possessed a rich and full quality ideal for orchestral playing. They weren’t perfect for the bank account, however, and fiddlers resorted to the cheaper alternative: steel. Steel strings have a “bright” timbre (tone) and carry well in a solo situation.

Steel strings are very difficult to tune with the violin’s clumsy wooden pegs. Many steel strings were broken until the glorious invention of fine-tuners, the tiny little metal mechanisms on the tailpiece that makes tuning a piece of cake. Violinists adopted this technology for use on their steel “E” strings which is nearly impossible to tune with the peg.

When I was youth symphony many players removed their lower string fine tuners haughtily, like a child insisting training wheels are for babies. The use of fine tuners on all four strings unfortunately had become associated with less skilled musicians since fiddlers used them. There is also evidence that fine tuners alter the quality of harmonics (higher frequencies). This a ridiculous stereotype was invented: violinists use the pegs, fiddlers use fine tuners.

It is thought that fiddles are simply cheap violins. At one time this could have been true, as poorer or rural folks usually played home-made fiddles, not Strads. They were less likely to afford private lessons or attend the symphony, but learned traditional tunes at jams and ceilidhs (kay-lees). Since many fiddlers never had formal lessons, most couldn’t read music and played everything by ear, whereas violinists could read music usually could not improvise. Another stereotype was invented.

Holding a violin with one’s jaw makes it nearly impossible to talk and play simultaneously (similar to walking around with your pants around your ankles). Square dancing fiddlers dealt with this difficulty by holding the violin down on their arm rather than under the chin, freeing up their jaws to “call” the dance moves. This technique is a big no-no in classical playing and it created yet another rift between violin and fiddle.

Luckily it seems the violin/fiddle gap has narrowed considerably in the past few years. Most players use new hybrid strings that posses a full and rich, yet clear, tone and respond well to both classical and fiddle playing. Classical violinists aren’t so sticky about fine tuners anymore as they are seen as an advantage over using stubborn old pegs.

The resurgence of fiddle music in pop culture has created an opportunity for fiddlers to aspire to a higher level of playing ability and for violin students to branch out and try other genres of music. Hence fiddlers and violinists alike have finer instruments and a formal music education.

Fiddle technique is being abandoned by many fiddlers who have discovered the benefits, such as greater speed and fewer backaches, of the classical technique. New programs in music education in new programs has produced fiddlers who can read music and violinists who can improvise.

As more musicians branch out musically and develop new ways of playing there will be little difference between "violin” and “fiddle.” Musicians will feel much more comfortable playing with each other and the stereotypes will fade away, both violin and fiddle will be valid.

You’ll see the old man at the bus stop whistling to “Celtic Swing Baroque Techno” on his MP3 player. 

**Rhiannon Schmitt (nee Nachbaur) is a professional violinist and music teacher who has enjoyed creative writing for years. She writes for two Canadian publications and Australia's "Music Teacher Magazine."

Her business, Fiddleheads Violin School & Shop, has won several distinguished young entrepreneur business awards and offers beginner to professional level instruments, accessories and supplies for very reasonable prices: Visit http://www.fiddleheads.ca

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Rough Guide to World Music Volume Two: Latin and North America, the Caribbean, Asia & the Pacific (Rough Guide Music Guides)

Customer Review: Extraordinary: Overwhelmingly Wonderful
The research here is remarkable. The scholarship is first-rate, the information exhaustive (although never definitive since world music grows with leaps and bounds moment by moment). I love dipping into this attractively illustrated, logically organized, and utterly helpful guide to find whole realms of sound which I not only didn't know existed but also could not even have imagined existed without the help of these fine fans of the music about which they write so clearly and well. The world today is a depressing place. Sorrow is everywhere one turns. But this celebration of music continually energizes and revivifies. Buy it; enjoy it; and expand your CD collection.
Customer Review: Everything V. 1 was for Middle-East, African, & European ...
... this one is for Latin & North American, Caribbean, Indian, Asian/Pacific idioms. I picked up the original '94 edition to explore World Beat rhythms in improvisatory settings, and was excited to hear the new edition would cover two volumes. I am NOT displeased !!




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Hawaiian Music
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Latin Music Series and Dance Party :: eJazzNews.com : The Number One ...
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metro
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Dance Music CD Soundtrack Mixes Songs
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Nazca Music - Antonio Restucci
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Music resources on the World Wide Web
Latin -American Music . Libraries and ... on academic, organizational, and personal activities in Jewish music today . ... Database for Latin music theory. ...
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Latin Beat! - at the Walter Reade Theater
Today's Latin American cinema shows both the legacy of its historical ... SPECIAL EVENT: THAT LATIN BEAT: A SHORT HISTORY OF LATIN MUSIC PRESENCE IN THE ...
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The Mambo Kings | Music Review | Entertainment Weekly
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The Piano Tribute to Coldplay

Customer Review: Revolutionary
About two years ago, I borrowed Coldplay's second record "A Rush of Blood to the Head" from a local library. I was going througha very rough time in my life, and this music spoke to me. This music changed my life and my whole outlook on life. It basically infused my being, and became a part of me. I put the copy back on the library shelf and bought my own, and then I picked up their first record "Parachutes". This piano composition of classic Coldplay songs is the best composition out of all three released so far. We have "Pickin' on Coldplay: A Bluegrass Tribute" and we also have "The String Quartet Tribute to Coldplay." This is the third and most recent tribute album. Coldplay must have changed a lot of lives. Anyway, the pieces here match the songs on both albums, and you feel a certain poignancy when listening to this tribute album. The fact that Coldplay's music is so powerful that it inspired three bands of completely different types of music to do a tribute album... that's amazing. That's more than amazing.


Hailing from Orem, Utah, the alternative rock band called The Used has made its mark on the public with a couple of albums and music videos released under Reprise Records. With songs like "A Box Full of Sharp Objects" and "The Bird and the Worm," the band has established itself as a thriving music group. With an active following since 2001 (and still going strong), The Used possess a history of making music that begins in the middle of the '90s.

Brief Group History

During the mid-1990s, The Used was known in their early days as a local band called Froglick. At this time, Brenden Steineckert (founding member and drummer) was grouped with Quinn Allman (guitarist) and Jeph Howard (bassist). It was soon agreed that a full-time singer or frontman would be needed to boost the popularity of the band. Auditions were held, but a suitable member could not be found. Upon the suggestion of Allman, a friend from school (Bert McCracken) was asked to join and gladly accepted.

The group began to record a few demos and hold a handful of local shows. John Feldmann, a member of the punk group, Goldfinger, heard the band and, in 2001, encouraged Reprise Records to sign the group. Within a couple of months, a ten-track demo CD was produced. The band would later become The Used after finding out that a band in Boston already went by the moniker Used.

In 2003, The Used released a CD and DVD combo package titled "Maybe Memories." Live, unreleased, and demo works were included, such as band history, musician bios, and live concert snippets. Platinum sales status followed. In 2004, the group released their second studio album, titled "In Love and Death." A host of personal tragedies suffered by lead singer McCracken guided the themes, subjects, and songwriting of the album. The title of the album and the song, "Hard to Say," paid tribute to the pregnant girlfriend he lost to drug overdose. "In Love and Death" became the group's second platinum venture, selling more than three million copies.

The future of The Used involves another CD and DVD compilation and a couple of tour dates. A new album is set for a 2007 release, and the group is adjusting to their new drummer, Dan Whitesides.

Current Members

Currently, The Used is composed of Bert McCracken (lead vocals and piano), Quinn Allman (guitar and backup vocals), Jeph Howard (bass and backup vocals), and Dan Whitesides (drums). In the past, the group also worked with other musicians, such as Greg Bester, who served as touring guitarist during the early 2000s. Most notably, Branden Steineckert, who provided backup vocals and played drums, was kicked out of the band during the summer of 2006.

Discography & Musical Achievements

The Used released their first full-length studio album, which was self-titled, in 2002. The public readily accepted the new group, and they enjoyed a wealth of early success. Four singles ("A Box Full of Sharp Objects," "Buried Myself Alive," "Blue and Yellow," and "The Taste of Ink") helped claim a following. The album soon went platinum.

In 2004, the group released "In Love and Death," which also became platinum-certified, selling more than three million copies. The David Bowie remake of "Under Pressure" featured My Chemical Romance and was offered as a bonus track on the 2005 re-release of the album. Additional songs on the album included "Take It Away" and "I Caught Fire." Set for a 2007 release, The Used is planning on sharing "Lies for the Liars," which is also set to come with a DVD.

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MTV Unplugged

On March 6th, Julieta Venegas recorded her MTV Unplugged at the Churubusco Studies in Mexico City, where she presented new songs besides interpreting some of her greatest hits in an intimate atmosphere to a live audience.

This production counts on important and interesting collaborations like two time Oscar winner, Gustavo Santaolalla, who accompanied her with the banjo and sang the chorus of the song "Algun Dia (Someday)". Brazilian singer, Marisa Monte featured in song "Illusion", a new and beautiful song that combines the Spanish and Portuguese language.

Also Mala Rodriguez joined Julieta and included a strong hip hop movement to the song "Eres Para Mi (You are for Me)", whereas the vocalist of Porter, Juan Carlos had a unique participation in "Algun Dia (Someday)".

In addition, the very talented Natalia Lafourcade comprised of the orchestra and played several instruments during the night, whereas the talented musician and composer, Jacques Morelenbaum accompanied Julieta on the cello in "De mis Pasos (From my foot steps)".

DVD Track List:
1.Limón y Sal
2.Sería Feliz
3.El Presenta - Inédita
4.Algo está cambiando
5.Eres para Mi - A dueto con la Mala Rodriguez
6.Esta Vez
7.Algun dia- Inédita con la participación de Gustavo Santaolalla
8.Mírame bien
9.Lento
10.De mis pasos
11.Andar conmigo
12.Ilusión - Inédita A dueto con Marisa Monte
13.Como sé
14.Mira la vida- Inédita
15.Me Voy
Making of
Customer Review: A must have DVD - Compralo si o si
Como se ha escrito anteriormente este Unplugged es uno de los mejores en lengua castellana hasta la fecha (casi rivaliza con el Hello, el Unplugged del gran Charly Garcia) y consituye un hito en la carrera de Julieta Venegas mostrandonos asi el porque el maestro Joaquin Sabina, el mejor cantautor, ha dicho de ella que es una genia. Tocando con maestria varios instrumentos e imprimiendo sentimiento a cada canción que interpreta Julieta nos lleva por un repaso de su discografia, a la cual le imprime otro matiz, de una manera tan maravillosa que los 15 temas pareceria que acaban demasiado pronto. La calidad de la producción musical es impecable, los arreglos magnificos y los músicos en total sintonía con la idea que Julieta tiene del concierto. Imprescindible en cualquier colección. Gracias Julieta... creo que Sabina ya tiene su contraparte femenina. A masterpiece. So far the best Unplugged of this decade. Julieta performs great and also in a unique way, full of feeling. Ms. Venegas rocks ! Do a favor yourself and order this DVD now.
Customer Review: SUPER TRABAJO,, EXCELENTE,,,
Muy gratamente soprendido por este material, es simplemente estupendo, Julieta se luce en todas suis interpretaciones dandoles nuevo matizes y colores, que decir de sus invitados , todos de primer nivel,,, el que en verdad me sorprendio mucho -y como dice el post de arriba- no conocia en nada a JUAN SON, que voz y que manera de interpretar. me muero por conseguir algo de el,, este dvd es algo que no deje faltar en su coleccion...altamente recomendable...


As a DJ, one of the basic fundamentals of performing is knowing how to mix music. Keeping
that smooth flow, rhythm and energy on the dance floor is essential to a Dj and their
performance in front of their crowd! In this article we will mention 5 secrets of Dj mixing
tips that any beginner needs to know in order to become successful.

Beat mixing has become easier than it used to be because most of todays dance music tracks
have lengthy introductions to a song and also long outro ductions to a song. With this in
mind, it has also become easier for for newcomers to come into the scene and get involved
because Dj equipment is as expensive as it used to be!

Here are some of the Dj mixing tips you need to know -

1. Almost all dance tracks have an intro where you can mix in the music and a break or outro
where you can mix out of a track. Commonly, the outro area on a dance track is often the
final opportunity to mix out of the song. You can also mix out of a dance track where there
is a breakdown in the record!

2. When listening to dance music and its structure, make sure that you listen to the drum
beat of the song. This is normally a 4/4 structure. Eg. 1,2,3,4 - 2,2,3,4 - 3,2,3,4 - 4,2,3,4
Counting the beats will help you understand where you need to place your mix with the other
record you wish to mix into.

3. So now, as you listen to the tune that is being played (song one) on the output (dance
floor) you need to cue the song that you want to beat match through your headphones on the
other turntable or cd. When tune 1 comes towards its outro section, you then need to start
the second tune on its first beat in which case this is the intro of the second tune. This is
where you start to beat match the to songs. As you match the drum beats of the two songs keep
your hand on the pitch of the tune that you are trying to introduce. Adjusting the pitch will
help you speed up or slow down the tune you are trying to introduce!

4. As one hand adjusts the speed of the incoming song, the other hand needs to be to be
adjusting the volume of the mixer and gradually sliding the cross fader from tune one to the
other. What happens when you do this is that song one decreases in volume and song two
increases in volume Thus completing the change over from one track to the other.

5. One of the most important things for a DJ to understand when in the mix, is to make sure
that he/she always keeps their hand on the pitch when adjusting a mix. Some Dj's don't realize
this, but touching the vinyl may create a swoosh sound that can disturb the mix and make it
sound like its not running smooth! So avoid touching the vinyl or platter when you are
adjusting the speed on a live mix!

These are the DJ mixing tips exposed. I hope they are some sort of use to you! Learn and
understand them as best you can and they will help you become better at mixing your music!

Yo DJ! Are you interested in more DJ mixing tips? Want to learn how to beat mix, scratch etc? Tired of searching the net for tutorials that give away limited info? Want to learn from a proven method that has helped hundreds if not thousands of beginner/intermediate DJs? Then please visit DJ mixing tips, or visithttp://www.musicinstrumentreview.info/djmixingtips.html

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Toontrack EZX Latin Percussion Expansion Library (for EZdrummer)

The Latin Percussion EZX for EZdrummer contains the percussion sounds from the revolutionary, award winning pro drum sampler, dfh Superior from Toontrack Music. The EZX includes midifiles that will add that extra groove on top of your steady drumtrack. System requirements: 1 Gb free disc space, 512 Mb RAM, DVD drive, dfh EZdrummer installed.Instrument list Latin Percussion EZX Afuche MEINL Afuche LP Afuche Shakers Rhythm Tech Cans Light Shaker MEINL Small Shaker MEINL 8 Shake Small MEINL Apple Shaker MEINL Lemon Shaker MEINL Medium2 Shaker LP Shake It MEINL Pear Shaker MEINL StootEgg Shaker MEINL SmallEgg Shaker MEINL SmallerEgg Shaker MEINL Large Shaker MEINL Medium Shaker MEINL 8 Shake Large LP Gold Big Caxixis MEINL Caxixi MEINL small Caxixi Custom Caxixi Maracas MEINL plastic maracas LP skin maracas MEINL/LP mix maracas Bongo 1 MEINL Collection series MEINL fibercraft Bongo 2 MEINL Collection series MEINL fibercraft Cowbell MEINL small cowbell MEINL realplayer cowbell MEINL realplayer steel big cowbell LP small cowbell MEINL mambo cowbell LP salsa cowbell Cymbal 1 Emsing custom crash 20" PAISTE full crash 10" MEINL BYZANCE splash Cymbal 2 16" MEINL BYZANCE thin crash 16" SABIAN medium thin crash 6" MEINL BYZANCE splash Splash 8" ZILDJIAN A Custom Splash 8" MEINL BYZANCE splash Cajon Cajon Chimes MEINL Barchimes Pelle Hjelmers big chimes Mini chimes Conga 1 MEINL woodcraft MEINL fibercraft MEINL wood professiona...


Are CDs still a sound investment?

There was once a time that the first milestone in a band's career was pressing a CD. There was always something special about the perfectly shrink- wrapped plastic case, the look of promise contained within the albums cover, and the power of a barcode branded in black and white on the tray card. For most, having a professionally pressed disc was like a signal that they've arrived and are proudly showing the world their art. While many still gauge their musical success in the culmination of a packed CD, the allure of digital downloads has caused many to question the need for CD Duplication in the future.

Ease of Use

Digital downloads, most commonly offered in the popular mp3 format, have quickly become a favorite of many music fans due to their easy transferability and lower cost. Mp3s use a process called psychoacoustic masking to compress a standard audio file into a smaller file size with very little if any audible quality loss ( mp3 vs CD quality test). This technology allowed artists to offer high-quality renderings of their music directly to fans through online stores like iTunes or directly from their website. Because the band no longer had to front the manufacturing cost of the audio CD duplication or music CD duplication , they are usually able to offer their music at a low price than that of a standard compact disc.

The Physiological Factor

While, mp3 technology can be beneficial to both the artist and the consumer, there are some disadvantages to purchasing music in a digital format. Aside from the loss of certain frequencies, mp3s typically live on a computer or portable listening device, which can be susceptible to data loss and system failure. Because of copyright concerns, music lost in computer crashes cannot be recovered without paying for all your songs again. For users that don't back up their data, there is a substantial risk of losing your entire music collection and ultimately your investment.

Also, many music fans still like the feeling of holding a tangible product in their hands. For them reading a CD booklet, and the physiological experience of holding a piece of the artist's work is an important experience. These same fans are probably also likely to purchase merchandise at an artist's performance or show. Since mp3s are a downloadable format, artist's who opt for mp3 only releases may loose out on a percentage of sales and impulse buyers who want to take home souvenirs of their concert.

Consumer Options

With no shortage of compelling arguments for both formats, the only thing that is certain is that technology is giving both musicians and fans a broader range of options. Because selling mp3s through digital distribution websites cost no additional money, bands can manufacture standard CDs for those who prefer owning discs, and output high-quality mp3s for fans satisfied with lower priced downloads. In order to reach all of your target audience, it makes the most sense to provide as many buyer options as possible to maximize your potential market and ultimately album sales.

For further information, visit www.Audio-CD-Duplication.com or contact at sales@audio-cd-duplication.com.

C. Jason writes many articles on technology related issues for http://www.Audio-cd-duplication.com. An excellent orator, pens down the critical facts for the Audio and Music Digital World.

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Coldplay 8X10 Framed And Matted Color Photo

This is a beautifully framed and matted 8x10 glossy photograph. Total size is approximately 12x15 inches. This framed and matted photograph will look wonderful in any room of your house. Ready to hang right when you take it out of the box!


The French artist Orlan, her actual name is unknown, is making the ultimate sacrifice for art, her own body is her canvas. She has designed the perfect woman on her computer by using the worlds most famous women portraits, like the chin of Botticelli's Venus and the forehead of da Vinci's Mona Lisa. Through multiple operations, her atelier is the operating room, she is trying to really become the ultimate female she has designed.

The art of Orlan can be seen as a comment on the body culture in our modern world, we admire the perfect body and are searching for the eternal youth. Our body culture is not criticized by Orlan, she is just showing us how narcisstic we actually are becoming. Is that a bad thing? That yours to decide, but looking at the images of her surgery performances I must say I get really frightened.

The operations themselves are filmed on camera. The surgeons are wearing special outfits designed by famous designers, like Paco Rabanne and Issey Miyake. While she is undergoing her operations, there is music, dance and poetry.

In the art world they are kind of used to the idea that artists call themselves, or their actions, the artwork. Think of all the performances and happenings we had in the seventies, but this is something different. Orlon is actually considering her own body as art, and even brings her skin, the parts that are not used in the reconstruction, on the art market.

About the Author: Hans Frontosa writes about contemporary art, erotic art and photography on the Art of Love website.

This article can be distributed on-line if the origin of the article is mentioned and linked.

Art of Love website

The art of Orlan, on the Art of Love

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Coldplay - Studio Photo T-Shirt

This brown cotton t-shirt from Coldplay features a great, sepia toned photo of the band in their studio. The back has the band name printed near the lower hem.




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